I felt it made it so much easier for me to access my emotional content or my imagination. It was the best workshop, the best acting class I could have. If there is a misconception, it’s perhaps overlooking that there was a genuine commitment to performance. I’ll put any of those movies up the first 30 years. Pig, Bad Lieutenant: Port of New Orleans, Joe, Mom and Dad, Color Out of Space - they were all in that group. I think that I did some of the best work of my life in that so-called “direct to video” period. It’s been terrific for me.īut also, people thought I didn’t care. It’s one of the best ways to get your movie out there now and have it re-played. The first thing I want to say about that is that, in my opinion, anyone that says “straight to video” in this age is a dinosaur. The media sometimes talks about the Video-on-Demand work. The character is at least partially built on misconceptions the public has about you. They were very committed and very helpful. I had some good luck with those people on the set. I hear the side I had already recorded as either Nic or Nicky, and act off of that with a stunt double or someone working in the stand-in department. The actual filmmaking process was not unlike Adaptation, in that I would have to record one side and put an earwig in my ear. 'The Unbearable Weight of Massive Talent': Who Wants Some Hot Nic Cage–on–Nic Cage Action? I thought Nicky could bring some of that energy to this movie. I had grown up seeing Lewis’ The Nutty Professor, and the Buddy Love character was a character that I always thought was profoundly hilarious. There was some conversation in the beginning about cutting the Nicky character, but the Nicky character was the one that I thought I could have the most fun with. That was the part I really wanted to protect. Tell me about playing a younger version of yourself and how that came together. The scene at the wall is quite… I’m not into psychedelics, but the humor in that scene… I can see myself acting out like that to try and make people laugh at home. I think some of the moments are fairly close to me. It’s a pretty off-the-wall sense of humor. I started making movies like Raising Arizona, since I do have a sense of humor, I think. What parts of the character are the closest to the real you? That’s part of why this is a fictionalized interpretation of you. That’s just not me.” They said, “You’re right. When I first met with Tom and the team in New York, I said, “Listen, guys, there’s no version of so-called Nic Cage that doesn’t want to spend time with his children. We sat down with the actor in a New York hotel room to chat about the movie, the Internet’s odd obsession with “Cage Rage” videos, his long string of under-the-radar Video on Demand movies, his complete lack of interest in ever doing TV work, the possibility of his aborted Nineties Superman project coming back to life, and the legacies of Moonstruck, Bringing Out the Dead, and Adaptation.ĭid you recognize yourself at all in the script for The Unbearable Weight of Massive Talent when you first read it? The Unbearable Weight of Massive Talent (in theaters April 22) has a 100 percent approval rating on Rotten Tomatoes and is a continuation of a career renaissance for Cage that began with 2021’s brilliant Pig. And then because of my fear, and my belief that that which you are afraid of - within reason, as long as you aren’t hurting yourself or someone else - is the very thing you should go towards because you might learn something, I said, ‘Yes.'” “I wanted to have a little more depth to it, and Tom expressed to me that he had a genuine interest in some of my earlier work. “I didn’t want it to be something that was strictly mocking or like an SNL sketch,” Cage tells Rolling Stone. He started to budge a bit when he finally read the screenplay and met with director Tom Gormican, who co-wrote the film with Kevin Etten. There’s even a recurring bit where a manic, Wild at Heart-era Cage materializes out of thin air to argue with modern-day Cage. His fears only grew when he learned that the “Nicolas Cage” character in the movie would be near broke, living in a hotel, quasi-estranged from his wife and teenage daughter, and reduced to making a personal appearance at a birthday party for a wealthy fan in order to pay off his debt. When Nicolas Cage was first approached about playing a slightly psychotic version of himself in the movie The Unbearable Weight of Massive Talent, he was more than a little hesitant about signing on.
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